Thursday, 18 November 2010

Unicyclist linocut

I've just finished editioning a 4-colour linocut of a unicyclist. He's a kind of deformed clown and comes from a series of circus characters I'm working on with a book in mind. I wanted to make a multi-block print that was colourful and fun but had a handmade feel to it and had some interesting textures.

I devised a new way of registering the blocks which is similar to how I register layers in screenprinting. I printed the last block (the 'key' or outline) first onto clear plastic film which was taped to the registration paper.

I could then line up each block by looking through the plastic film with the outline image on and drew round each block on the registration paper.

Two colours...

Three colours...


Four colours...

The blue block was cut so the colour of the hat didn't line up exactly, partly to give it a less fussy feel and partly to challenge that bit if me that always wants things to be perfect! I'm pretty happy with how it came out, especially the vibrancy of the colours where they overlap (the green is made up from the blue and yellow layers - there is no green ink) Now I have to start work on the rest of the series...

You can buy this print from my Etsy shop.


7 comments:

  1. This is very cool. Love the technique!

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  2. Really very nice!
    Would you describe your best method of transferring your drawing onto the lino?
    cheers,
    Marion

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  3. Thanks Marion! Yes, I use red carbon copy paper to transfer the drawing usually. If I need to reverse the drawing I'll scan it, flip it in photoshop and print it out before I trace it down.

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  4. Thanks! I know it sounds simple but all these tips help. I would not have thought of carbon paper...and it's a bit far for me to attend your course. (12000 miles.)
    cheers!

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  5. No problem! There are some other posts on this blog showing step-by-step stages through my process so have a look through the archive. One day I'll make it more organised and easier to find things!

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